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Yaropra | Sculptures by STUDIO NICK ERVINCK | AZ Damian in Oostende. Item composed of wood and metal
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Yaropra | Sculptures by STUDIO NICK ERVINCK | AZ Damian in Oostende. Item composed of wood and metal
Yaropra | Sculptures by STUDIO NICK ERVINCK | AZ Damian in Oostende. Item composed of wood and metal
Yaropra | Sculptures by STUDIO NICK ERVINCK | AZ Damian in Oostende. Item composed of wood and metal
Yaropra | Sculptures by STUDIO NICK ERVINCK | AZ Damian in Oostende. Item composed of wood and metal

Created and Sold by STUDIO NICK ERVINCK

STUDIO NICK ERVINCK

Yaropra - Sculptures

Featured In AZ Damian, Oostende, Belgium

$ On Inquiry

YAROPRA is a furniture-sculpture, designed for a waiting room, an entrance hall, a terrace or a meeting place. This sculpture fully leans against contemporary design and architecture. Similar to Peter Cooks Plugin City (1964), YAROPRA is a construction kit with standardized construction elements, which can take on different shapes. YAROPRA looks like an arbitrary shape, but is in fact the result of structured ranging of all components of the network. Moreover, YAROPRA is a metaphor for the invisible network or connections between people. That is why this artwork understands the social dimension both in a functional and a conceptual way. With YAROPRA, Nick Ervinck thus combines a flexible structure, a social functionality with an explicit aesthetic design. It’s made from wood, iron, polyurethane and polyester. (165 x 588 x 435 cm, 65 x 231.5 x 171.3 inches)

Item Yaropra
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STUDIO NICK ERVINCK
Meet the Creator
Wescover creator since 2020
Art - Science - Technology - Craftmanschip - Public art

Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media.
Studio Nick Ervinck applies tools and techniques from new media, in order to explore the aesthetic potential of sculpture, 3D prints installation, architecture and design. Through his divergent practice, a strong fascination with the construction of space is noticeable.
Not only does Nick Ervinck focus on the autonomous sculptural object, he also questions its spatial positioning and points to the phenomenological experience and embodiment of space. Ervinck's work in short oscillates between the static and the dynamic, prospecting new virtual or utopian territories.