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WARSUBEC | Public Sculptures by STUDIO NICK ERVINCK. Item made of stone
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Image credit: Nick Ervinck
WARSUBEC | Public Sculptures by STUDIO NICK ERVINCK. Item made of stone
WARSUBEC | Public Sculptures by STUDIO NICK ERVINCK. Item made of stone
WARSUBEC | Public Sculptures by STUDIO NICK ERVINCK. Item made of stone

Created and Sold by STUDIO NICK ERVINCK

STUDIO NICK ERVINCK

WARSUBEC - Public Sculptures

Featured In Ghent, Belgium

$ On Inquiry

With WARSUBEC, the artist has realized his first work on an architectural scale. On top of two buildings in Ghent, right and left of a passageway leading into a courtyard, sit two mirrored frameworks. They have a net-structure with rounded edges and a bright yellow, glossy finish. If one only saw this sculpture on photos, one might think that it was just another clever computer rendering. Like many of Ervinck's creations, it is difficult to find a concise description for WARSUBEC, because the work has so many connotations. It is obviously a net- or mesh-structure, but it also bears a certain resemblance to the artist's earlier coral studies. At the same time, however, WARSUBEC might also be an abstract high-tech descendant of similarly smooth, round-edged sculptures by Henry Moore or Hans Arp. In a less art historical way, one might also recognize a similarity to bone- or even cell-structures, turning the objects into virus-like growths on top of the old building. WARSUBEC oscillates between the antagonistic architectural worlds of box and blob. It can be read as a blob on top of a box, but it can also be seen as a box itself, containing a multitude of blobby voids. In this sense, it fits perfectly into Ervinck's constantly evolving fluid universe.

Item WARSUBEC
As seen in Ghent, Ghent, Belgium
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STUDIO NICK ERVINCK
Meet the Creator
Wescover creator since 2020
Art - Science - Technology - Craftmanschip - Public art

Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media.
Studio Nick Ervinck applies tools and techniques from new media, in order to explore the aesthetic potential of sculpture, 3D prints installation, architecture and design. Through his divergent practice, a strong fascination with the construction of space is noticeable.
Not only does Nick Ervinck focus on the autonomous sculptural object, he also questions its spatial positioning and points to the phenomenological experience and embodiment of space. Ervinck's work in short oscillates between the static and the dynamic, prospecting new virtual or utopian territories.