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Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
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Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style
+1
Walnut Side Table, or Where She Keeps the Scotch | Tables by Coda Wood Studio. Item made of walnut works with contemporary & traditional style

Created and Sold by Coda Wood Studio

Coda Wood Studio

Walnut Side Table, or Where She Keeps the Scotch

Price $1,800

Creation: 6-8 weeks
Shipping:
Estimated Arrival: TBD

Handmade

Woman Owned

Sustainable

Natural Materials

An occasional table made of American walnut, walnut veneer, plywood, machined cane, and aluminum hardware. Traditional hexagonal form and hidden door to keep them guessing how you got that nightcap in there.

This piece has been exhibited at the International Woodworking Festival in Atlanta, GA and the Mary Cornwall Gallery in Clyde, NC. It will also be on exhibit April 2023 at Artfields in Lake City, SC.

Item Walnut Side Table, or Where She Keeps the Scotch
Created by Coda Wood Studio
As seen in Creator's Studio, Waynesville, NC
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Coda Wood Studio
Meet the Creator

Coda Wood Studio

Waynesville, NC

Wescover creator since 2023
Earth-conscious furniture and homewares that connect past and present

I fell in love with a historic farmhouse in the mountains while on a journey of self-discovery away from my childhood comforts and adolescent ambitions. Soon after I settled into that house, the handcraft of woodworking found me, bringing with it a new language to explore what it means to be human - myself - in an embodied life. Scouring antique furniture in warehouses across the southeast, I feel myself in a present time and place reaching back across time and space to see who it was that used these pieces for furniture - why did they have this particular one and how did they find it delightful or useful? How can I identify with those why’s and how’s today?

Designing and making home furnishings is now for me both a practice of embodied living - expressing myself in a way that unifies the physical and spiritual - and a study of people now and before. We still have so much in common with our collective ancestors, as much as we may protest our differences with them. Perhaps everyday objects and furniture in the home can show us how much our stories intertwine. I often use design to explore this bridge between past and present, placing traditional details on modern shapes, then bringing the designs to life with practices and materials that honor the wisdom of old.