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Tsenabo | Sculptures by STUDIO NICK ERVINCK | Sint-Andriesziekenhuis in Tielt. Item made of synthetic
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Tsenabo | Sculptures by STUDIO NICK ERVINCK | Sint-Andriesziekenhuis in Tielt. Item made of synthetic
Tsenabo | Sculptures by STUDIO NICK ERVINCK | Sint-Andriesziekenhuis in Tielt. Item made of synthetic
Tsenabo | Sculptures by STUDIO NICK ERVINCK | Sint-Andriesziekenhuis in Tielt. Item made of synthetic

Created and Sold by STUDIO NICK ERVINCK

STUDIO NICK ERVINCK

Tsenabo - Sculptures

Featured In Sint-Andriesziekenhuis, Tielt, Belgium

$ On Inquiry

TSENABO, that’s made from polyester, was specially designed for this place; an entrance of a hospital. At first side, the sculpture has some resemblance with a tree gone wild or a death abstract body which has been recovered by the organic, fluid and vivid yellow texture. Pushed on upwards, this dead organic material seems to recover in living substance. The empty holes are a crucial part of the sculpture. Like Henry Moore, Nick Ervinck tries to play with the emptiness to give the structure a new dimension. The structure looks like the result of natural erosion, like seawater does with rocks. While the shiny material and the bold color gives it the effect of an artifact. This yellow expressive sculpture intrigues from any angle and contributes to the atmosphere of the place. TSENABO has a lot in common with EGNABO. For both sculptures Nick Ervinck was inspired by Eastern (Chinese rocks) and Western (blob architecture) shapes. Following the newest designing processes, he builds upon the classic sculpting techniques as well. (405 x 717 x 590 cm, 159.4 x 282.3 x 232.3 inches)

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STUDIO NICK ERVINCK
Meet the Creator
Wescover creator since 2020
Art - Science - Technology - Craftmanschip - Public art

Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media.
Studio Nick Ervinck applies tools and techniques from new media, in order to explore the aesthetic potential of sculpture, 3D prints installation, architecture and design. Through his divergent practice, a strong fascination with the construction of space is noticeable.
Not only does Nick Ervinck focus on the autonomous sculptural object, he also questions its spatial positioning and points to the phenomenological experience and embodiment of space. Ervinck's work in short oscillates between the static and the dynamic, prospecting new virtual or utopian territories.