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SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
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SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric
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SW Velvet Chair | Easy Chair in Chairs by soft-geometry | Soft-geometry Studio in San Jose. Item composed of fabric

Created and Sold by soft-geometry

soft-geometry

SW Velvet Chair

Featured In Soft-geometry Studio, San Jose, CA

Price from $1,599 to $1,899

Handmade

Woman Owned

Reclaimed Materials

Made In USA

Made To Order

Accent velvet chair, shown here in violet sky

Chair dressed in crisp velvet upholstery on a simple arched frame in stainless steel. Finding a delicate softness within its stark minimalism and pure geometric form, the SW velvet chair is both striking in its architecture and subtle in its quiet poise.

The velvet chair is shown here in fabric colors violet sky which is a cool, light lilac and cobalt blue which is an electric, denim blue. Other colors in this velvet fabric or COM fabrics are available on request.

24.5” x 26” x 30”

Made to order. Lead time 12-14 weeks

Item SW Velvet Chair
Created by soft-geometry
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soft-geometry
Meet the Creator
Wescover creator since 2019
Collaborative studio exploring softness in furniture and home objects

Founded in 2019 by Indian designers Utharaa L Zacharias and Palaash Chaudhary, soft-geometry is a collaborative design studio creating collectible objects around central theme of softness.Their work intersects forming new, contemporary geometries, textures and transparencies, with slow and imperfect hand-worked techniques. Zacharias and Chaudhary often reference these ideas from the rich visual culture and hand-crafts of their hometowns in India,and derive opportunities to bridge traditional and modern ways of making and seeing.