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Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
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Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic
+5
Sea Urchin tea-light holder | Candle Holder in Decorative Objects by AA Ceramics & Ligthing. Item composed of ceramic

Created and Sold by AA Ceramics & Ligthing

AA Ceramics & Ligthing

Sea Urchin tea-light holder - Decorative Objects

Price $59

In Stock Now

Shipping: USPS 6-10 days
Estimated Arrival: December 4, 2024
insured USPS shipping

Handmade

Woman Owned

Sustainable

Made In USA

Made To Order

Natural Materials

DimensionsWeight
2H x 3W in
5.08H x 7.62W cm

Hand build and Raku fired

Each tea-light holder is unique! Depending on the level of oxygen and speed of cooling the glaze color changed from matte to glossy, from pink to purple, from amber to deep gold luster.

Can be used as a tea-light/votive candle holder or a beautiful ring dish.

Approximately 3.5"diameter x 1.5" to 2" high

Item Sea Urchin tea-light holder
Created by AA Ceramics & Ligthing
As seen in Creator's Studio, New York, NY
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AA Ceramics & Ligthing
Meet the Creator

AA Ceramics & Ligthing

New York, NY

Wescover creator since 2023
Clay is a dirty business

Coral reefs have fascinated and inspired me all my life. They are invaluable to our planet and offer the greatest biodiversity of any marine ecosystem.

But rising temperatures and pollution endangers these spectacular creatures.

In my work I try to interpret or mirror their forms, as well as to draw attention to treats corals facing.

In the making of my work, I employ a whole range of clay working techniques, including throwing, altering, pressing, slabbing and coil building. I also impress, pierce, or apply clay and sometimes add other materials to the clay. Texture is vitally important to me in making my own personal interpretations of the amazing natural world. All the pieces are fired two or three times.

The first firing (biscuit) is to convert the clay to ceramic. This firing is to 1850 degrees, after which I might apply glazes, colors, or metal oxides. These may be dipped, poured, or sponged, brushed and wiped or sprayed. Sometimes I leave the porcelain bare to speak for itself.

The pieces are then subjected to their second firing, which converts them into strong, durable, permanent forms. Second fire can be in the electric kiln, gas or traditional wood kiln, heating pieces up to 2400 degrees. Kiln used for the second fire affects the look and feel of the ceramic.

Some pieces receive a royal treatment of gold application and additional fire.

All lighting fixtures are wired by me. UL listing is available upon request.