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On Being Red : It's About a Girl | Oil And Acrylic Painting in Paintings by Stephanie Visser. Item composed of canvas and synthetic
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On Being Red : It's About a Girl | Oil And Acrylic Painting in Paintings by Stephanie Visser. Item composed of canvas and synthetic
On Being Red : It's About a Girl | Oil And Acrylic Painting in Paintings by Stephanie Visser. Item composed of canvas and synthetic
On Being Red : It's About a Girl | Oil And Acrylic Painting in Paintings by Stephanie Visser. Item composed of canvas and synthetic

Created and Sold by Stephanie Visser

Stephanie Visser

On Being Red : It's About a Girl - Paintings

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Price $5,300

In Stock Now

Shipping: Best Available 7-10 days
$0 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: January 4, 2025
I will find the best rate and delivery options based on size of piece, where it will be going, what details will be required such as "white glove", inside delivery, packaging removal etc.

Handmade

Woman Owned

Made In USA

Made To Order

DimensionsWeight
48H x 48W x 2D in
121.92H x 121.92W x 5.08D cm

Acrylic on Canvas
48"x48" unstretched

Lately many of my paintings seem to have some kind of musical reference. This one was first inspired by a woman I saw getting out of her car wearing red pants and a pink top. It’s a color combo that gets me every time. Takes courage to wear those together, but I love it!
I did a little searching in the archives for songs with red in the lyrics. What came up was “ Little Red Corvette”, “Crimson and Clover”, “Lady in Red”, “Red Red Wine”, all very well known but about something romantic. I ended up fixating on the lyrics of “Yashimi Battles the Pink Robots” by the Flaming Lips. I used to listen to it, over and over, In the song, Yashimi is a hero battling evil natured robots that just happen to be pink. Who know where this girl and her car was going or what she was up to that day, but for sure she was dressed ready to battle using color as her armor. To me she was Yashimi, or Silena from Rick Riodan’s The DemiGod Files.
“Silena appeared out of the woods, her sword drawn. Her Aphrodite armour was pink and red, colour coordinated to match her clothes and makeup. She looked like Guerilla Warfare Barbie.”
If you don't know the song, here is a link for you. :)))
https://www.youtube.com/watch?v=ZFaFDJf7oKw

Item On Being Red : It's About a Girl
Created by Stephanie Visser
As seen in Creator's Studio, West Hollywood, CA
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Stephanie Visser
Meet the Creator

Stephanie Visser

West Hollywood, CA

Wescover creator since 2022
Organic Abstraction

A native of southwestern Michigan, Stephanie Visser relocated to sunny southern California in 2003. Educated at Kendall College of Art and Design in Grand Rapids Michigan, she graduated there with her BFA in Fine Arts. She continued her education in fine arts and painting at Western Michigan University and Pasadena College of Art and Design.
Stephanie began her artistic journey as a realistic painter. Graduate study led her into landscape abstraction and then to non-objective abstraction. Stephanie Visser uses color, light and emotion to articulate abstract compositions on canvas. Her mature working methodology is inspired by instruction received at the graduate level layered upon a classical arts education. The ideas for the canvases are distilled from techniques that she learned from Mary Winterfield, whom she counts as one of the primary influences to her current painting style. Winterfield, an instructor at the Pasadena College of Art and Design, studied at the the Arts Student League of New York and the Cape School under Henry Hensche. Winterfield taught Visser the spatial push pull theories of Hans Hoffman as well the use of color keys to depict the color of light itself. Visser employs what she terms abstract simplification to create strong soaring work.
“Every one of my daily experiences leave an echo within me that resonates. The ideas, people, places and things that reveal themselves in my work are inspired by physical experience, my emotions, intuitions, or spiritual insight as a result of what is often a fleeting moment. Meaning is buried in the same way as that name or word you struggle for on the tip of your tongue or memories and impressions of people, places and events we all try to recall once they are past. Images may be reminiscent of the shore, a city street, a wooded hillside, a neighborhood, a
person, or a highway. I explore those things through tone, pattern, light, space, color and texture non-objectively. Deeply intimate and suggestive, the paintings can create sensations that comfort, or pinch, stirring up emotion and memory. Mind photographs that reflect and evoke everyday life as sunlight and shadow, stillness and movement or sound and quiet. I am a perpetual voyeur. Standing back, observing places, people and events and imagining in some way what goes on behind and below the surface, the color of life lived, sometimes in quiet desperation, sometimes inexplicably ordinary but more often mysteriously beautiful no matter how humble.
Done most often in series, the pieces themselves are made up of acrylic, oil, graphite, and collage along with other media on a multitude of surfaces and in multiples of combinations. My process begins by activating the canvas with texture and then laying down gestures and marks which leads to color, shape, and form. Adding and obliterating until the body gives me the signal to stop. Much like a Rorschach inkblot but infinitely more subtle. Images are built layer upon layer through translucent color washes, scumbled paint, markings and sometimes bits and pieces of cast off materials which are used to enrich the surface, revealing a lyrical, magical and often mysterious world lit from the inside-out.”