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NYC | Oil And Acrylic Painting in Paintings by Marco Domeniconi Studio. Item made of linen with synthetic works with minimalism & contemporary style
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NYC | Oil And Acrylic Painting in Paintings by Marco Domeniconi Studio. Item made of linen with synthetic works with minimalism & contemporary style
NYC | Oil And Acrylic Painting in Paintings by Marco Domeniconi Studio. Item made of linen with synthetic works with minimalism & contemporary style
NYC | Oil And Acrylic Painting in Paintings by Marco Domeniconi Studio. Item made of linen with synthetic works with minimalism & contemporary style

Created and Sold by Marco Domeniconi Studio

Marco Domeniconi Studio

NYC - Paintings

Free Shipping

Price $7,560

In Stock Now

Shipping: UPS 3-10 days
$0 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: January 7, 2025

Handmade

Made In USA

DimensionsWeight
60H x 46W x 1.5D in
152.4H x 116.84W x 3.81D cm
6.8 kg
15 lb

For centuries, New York City has welcomed individuals looking for opportunities, freedom, and provided a haven from violence and persecution. A city of immigrants and one of the most tolerant, progressive places on Earth. Yet, even in NYC, things are not as they should be in an advanced society. We must do better.
From the series Terra Ferma, 46 x 60 in. Acrylic, enamel and resin on linen.

Item NYC
Created by Marco Domeniconi Studio
As seen in Creator's Studio, New York, NY
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Marco Domeniconi Studio
Meet the Creator

Marco Domeniconi Studio

New York, NY

Wescover creator since 2020
I want my art to be as obvious as if I had stolen your thoughts.

My work is instinctive and spontaneous, thus there is not an overarching theory for creating other than letting my emotions take over. Most of my time seems occupied by satisfying a relentless curiosity about everything. I listen, I read, and I walk around collecting emotions which lead to sudden impulses to create. Some people have the ability to understand and communicate the feelings of another. For my part, I don’t readily understand them, though they affect me deeply. Experiencing and witnessing humanity, laboring to understand its condition is what drives me. I record fleeting moments, landscapes, people and colors as a mean to an end. The figures and shapes you see in my photographs or find in my paintings are not my subject. Whether it is a statement about walls, a plea about war, a scrutiny of alienation, or a message of hope and harmony, the themes always reveal my perception of humanity and its condition. I just want to create a path to an emotion.