Skip to main content
Customizable
Narztalpoks | Public Sculptures by STUDIO NICK ERVINCK | Brugge Ons Erf in Bruges. Item made of steel
Satisfaction Guarantee
Customize this piece
Narztalpoks | Public Sculptures by STUDIO NICK ERVINCK | Brugge Ons Erf in Bruges. Item made of steel
Narztalpoks | Public Sculptures by STUDIO NICK ERVINCK | Brugge Ons Erf in Bruges. Item made of steel

Created and Sold by STUDIO NICK ERVINCK

STUDIO NICK ERVINCK

Narztalpoks - Public Sculptures

Featured In Brugge Ons Erf, Bruges, Belgium

$ On Inquiry

NARZTALPOKS is a street lantern both living on the Art Nouveau heritage as well as heralding a new digital language. The lantern consists of two parts. The rhizomatic structure of the lower parts reminds us of a mangrove (Nick Ervinck after all is fascinated by trees, rocks and natural structures). At the same time, the roots move on upwards and lead the viewer with a dynamic power to the crest. There, the four stems of NARZTALPOKS support the four heads or flowers of the Arum. As this lantern lights up at night, a surrealistic sphere is added to the streetscape. At dusk, the four heads look like water drops or melted light. With NARZTALPOKS, Nick Ervinck refers to the designs of Hector Guimard, who was part of the Paris Art Nouveau movement. Moreover, this alliance between the aesthetic and the functional and the striving for a synthesis of the arts or an all-embracing art form, is indebted to the Art Nouveau and Arts & Crafts movement. It’s made from polyurethane and polyester. (450 x 330 x 330 cm, 177.2 x 129.9 x 129.9 inches)

Item Narztalpoks
Have more questions about this item?
STUDIO NICK ERVINCK
Meet the Creator
Wescover creator since 2020
Art - Science - Technology - Craftmanschip - Public art

Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media.
Studio Nick Ervinck applies tools and techniques from new media, in order to explore the aesthetic potential of sculpture, 3D prints installation, architecture and design. Through his divergent practice, a strong fascination with the construction of space is noticeable.
Not only does Nick Ervinck focus on the autonomous sculptural object, he also questions its spatial positioning and points to the phenomenological experience and embodiment of space. Ervinck's work in short oscillates between the static and the dynamic, prospecting new virtual or utopian territories.