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Lavender (R)evolution | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | Seyfarth Shaw LLP in Chicago. Item made of canvas & synthetic compatible with urban style
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Lavender (R)evolution | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | Seyfarth Shaw LLP in Chicago. Item made of canvas & synthetic compatible with urban style
Lavender (R)evolution | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | Seyfarth Shaw LLP in Chicago. Item made of canvas & synthetic compatible with urban style
Lavender (R)evolution | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | Seyfarth Shaw LLP in Chicago. Item made of canvas & synthetic compatible with urban style

Created and Sold by Sally K. Smith Artist

Sally K. Smith Artist

Lavender (R)evolution - Paintings

Featured In Seyfarth Shaw LLP, Chicago, IL

Starts at $8,000

Creation: 8-12 weeks
Shipping: FedEx 4-12 days
Estimated Arrival: March 28, 2025

Handmade

Woman Owned

Reclaimed Materials

Made In USA

Made To Order

Natural Materials

DimensionsWeight
35H x 70W x 75D in
88.9H x 177.8W x 190.5D cm
9.07 kg
20 lb

This painting is based on a 1930's photograph of Castro Street in San Francisco. The painting is mostly monochromatic, although more lavender than black and white. Although it is the 1930's, rainbow flags can be seen in the painting, hanging throughout the neighborhood.

Item Lavender (R)evolution
Created by Sally K. Smith Artist
As seen in Seyfarth Shaw LLP, Chicago, IL
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Sally K. Smith Artist
Meet the Creator

Sally K. Smith Artist

Berkeley, CA

Wescover creator since 2020
Oil paint is a partner in my artistic process.

I am a California based artist. I paint landscapes and cityscapes inspired by the world around me. I also am inspired by travel to faraway places and times. Vintage photos and travel-related images often provide inspiration for my paintings. These paintings combine figurative and imaginary elements. I also like to explore pattern and will sometimes make large paintings exploring the variations of a single pattern.

My oil paintings are built up with several layers and I often paint wet into wet. This requires a balance between improvisation and intention. The transparency between layers creates vibration and uncertainty.

I also create charcoal from unique materials such as money, food, documents and plants. These materials have meanings that I can integrate into a drawing or painting. I have developed methods for applying these unconventional charcoals to surfaces. Sometimes I use found objects as templates. Often these relate to the meaning of a piece. These pieces are unique and rich in exploration.