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CONTACT I (BENCH) | Public Sculptures by Alisa Looney. Item composed of steel
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CONTACT I (BENCH) | Public Sculptures by Alisa Looney. Item composed of steel
CONTACT I (BENCH) | Public Sculptures by Alisa Looney. Item composed of steel

Created and Sold by Alisa Looney

Alisa Looney

CONTACT I (BENCH) - Public Sculptures

Featured In Cannon Beach, OR

$ On Inquiry

Powder Coated Steel 47"h x 72.5"w x 35"d People's Choice Winner 2009 Sculpture Without Walls Permanent Collection - City of Cannon Beach, Oregon Sited to greet visitors near the parking area for Haystack Rock, installed on the West side of Hemlock, South of Gower St. Contact I (bench) – A place for people to gather, pause, and connect with each other. Created to nurture relationships, and to inspire new possibilities of playful connection. Relationships are the primary source of comfort, joy and depth in our lives. Powder coated bright orange to invite people in to celebrate these sacred moments of connection.

Item CONTACT I (BENCH)
Created by Alisa Looney
As seen in Cannon Beach, Cannon Beach, OR
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Alisa Looney
Meet the Creator

Alisa Looney

Bend, OR

Wescover creator since 2019
Open, energetic human form with messages of Joy & Connection

Best known for her award winning outdoor sculptures, Alisa Looney has exhibited in the U.S. and Canada. Her work is in a multitude of private and public collections, including Maryhill Museum of Art in Goldendale, WA, and several U.S. cities in the Northwestern states of Oregon, Idaho and Washington. She expresses her ideas through sculpture, dance, painting and enameling in her Bend, OR, Studio. At the age of four, Alisa began drawing and building with clay and sand on the banks of the Spokane River, in Northern Idaho. The movement of the river is still present in her work today and she often donates a portion of her sales to organizations that keep our rivers clean and flowing. She fell in love with metal arts as a silver smith in her early years, received her BFA in Design from Boise State University in 1983 and began welding in 1998. Alisa returned to Idaho in 2010 to study with enamellist and BSU Professor Emeritus, John Killmaster, which has allowed her to merge sculpture design and narrative enamels into what she considers her most precious work to date. She loves sharing these enameling techniques through workshops in her Bend, Oregon studio and is currently developing online classes for enamelists near and far.