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Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper
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Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper
Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper
Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper
Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper
Catch the Blow & Pucker, 2017 | Mixed Media by Rod McIntosh | London City Island in London. Item made of canvas & paper

Created and Sold by Rod McIntosh

Rod McIntosh

Catch the Blow & Pucker, 2017 - Mixed Media

Featured In London City Island, London, United Kingdom

Starts at $1,900

Creation: 6-8 weeks

Ink & charcoal dust on Chinese mulberry paper, mounted onto Fabriano cartridge substrate (120gsm) on strecthed canvas. Presented in a black wood tray frame, ready to hang.

Price range is dependent on scale of work, whether mounted to wood, canvas or paper. Prices quoted are for work only. I can quote for framing using a preferred UK supplier. Crating and shipping not included.

Secure payment through Stripe

Item Catch the Blow & Pucker, 2017
Created by Rod McIntosh
As seen in London City Island, London, United Kingdom
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Rod McIntosh
Meet the Creator

Rod McIntosh

England, United Kingdom

Wescover creator since 2019
Monochrome ink paintings. Created through mindful movement and the observation of the breath.

Rod McIntosh is an artist with his studio in the midst of the English countryside of rural Kent. He works between Kent and London as an exhibiting artist and is represented by several galleries and consultants working together to build a national and international profile for his work.

He studied figurative sculpture in Sheffield, graduating in 1992. He maintained a dynamic practice alongside a successful Arts Management and academic career until 2009. When he returned full-time to the studio.

His current work as a mark-maker lies within the tradition of drawing. With his body, the breath along with materials, and repetitive often-obsessive processes focus attention to the present. Observing and recording the moment of creation within a continuum.

He speaks of them as;

“Physical meditations, that offers himself, and the viewer, a moment to pause.”