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Battle of Rosebud | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | 60SIX in San Francisco. Item composed of canvas
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Battle of Rosebud | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | 60SIX in San Francisco. Item composed of canvas
Battle of Rosebud | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | 60SIX in San Francisco. Item composed of canvas
Battle of Rosebud | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | 60SIX in San Francisco. Item composed of canvas
Battle of Rosebud | Oil And Acrylic Painting in Paintings by Sally K. Smith Artist | 60SIX in San Francisco. Item composed of canvas

Created and Sold by Sally K. Smith Artist

Sally K. Smith Artist

Battle of Rosebud - Paintings

Featured In 60SIX, San Francisco, CA

Price $4,800

In Stock Now
Shipping rate finalized within 2 business days

Shipping: FedEx 2-3 days
Estimated Arrival: November 20, 2024

Handmade

Woman Owned

Reclaimed Materials

Made In USA

Made To Order

Natural Materials

DimensionsWeight
48H x 48W x 1.75D in
121.92H x 121.92W x 4.45D cm
6.8 kg
15 lb

This painting is inspired by the Battle of Rosebud fought in eastern Montana in 1876 between the US Army and its Crow and Shoshoni allies against the Cheyenne and Lakota Sioux. The Japanese Yagasuri pattern creates a mysterious screen throughout the painting.

Item Battle of Rosebud
Created by Sally K. Smith Artist
As seen in 60SIX, San Francisco, CA
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Sally K. Smith Artist
Meet the Creator

Sally K. Smith Artist

Berkeley, CA

Wescover creator since 2020
Oil paint is a partner in my artistic process.

I am a California based artist. I paint landscapes and cityscapes inspired by the world around me. I also am inspired by travel to faraway places and times. Vintage photos and travel-related images often provide inspiration for my paintings. These paintings combine figurative and imaginary elements. I also like to explore pattern and will sometimes make large paintings exploring the variations of a single pattern.

My oil paintings are built up with several layers and I often paint wet into wet. This requires a balance between improvisation and intention. The transparency between layers creates vibration and uncertainty.

I also create charcoal from unique materials such as money, food, documents and plants. These materials have meanings that I can integrate into a drawing or painting. I have developed methods for applying these unconventional charcoals to surfaces. Sometimes I use found objects as templates. Often these relate to the meaning of a piece. These pieces are unique and rich in exploration.