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Ariel: A Tribute to Missing and Murdered Indigenous Women | Oil And Acrylic Painting in Paintings by Ingrid Oliphant
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Created and Sold by Ingrid Oliphant

Ingrid Oliphant

Ariel: A Tribute to Missing and Murdered Indigenous Women - Paintings

Price $6,250

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Estimated Arrival: December 30, 2024

Handmade

Woman Owned

Recycled Materials

Made In USA

Made To Order

Natural Materials

DimensionsWeight
30.25H x 24.25W x 1.5D in
76.84H x 61.59W x 3.81D cm
4.54 kg
10 lb

This piece is is named after a missing and murdered Diné woman. I was introduced to her by a Navajo cop I'd worked with when he sent me a missing person's flyer in September 2017 and asked me, "What do you feel from this?" That simple question took me into the American desert, deep danger and the worst of humanity's behavior.

Ariel is a symbol of strength, the power of prayer, and hope for the future.

The poem here reads:

The sun called you daughter
long before you were first
touched by the dawn.

Trees bow before you more
deeply than they do the
wind.
You were made of the stars
and born in answer
to a prayer.
You belong.
Your gentle strength is forged
by the fire of the heart
And woven into the fabric
of the future.
Water will guide your power
and grace through the fear.
You're here on purpose
with purpose.

The whispers of angels
and eagles
will get knotted in your hair.
And your laughter will inspire
the wind.
Ah-wa-heh, old child.
Let beauty ease your way.
You are stronger and braver than you know.

Item Ariel: A Tribute to Missing and Murdered Indigenous Women
Created by Ingrid Oliphant
As seen in Creator's Studio, Telluride, CO
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Ingrid Oliphant
Meet the Creator
Wescover creator since 2023
Conversations with Spirit in Color

I am a shaman and have been healing by the laying on of hands for over a decade. I didn't begin painting until a year ago when color and texture needed to move through me. An insistent, [internal push to a local art supply store begat conversations with Ancestors and Creation that translated onto canvas in a way I'd never experienced. The results are uncanny in their capacity to speak to others, to change the temperature in rooms, and touch people physically and emotionally.

Each piece evolves into its own rhythm and tone, responding to the energies within and around me, and similar to the way I experience synesthesia, emits its own sensory experience. Most pieces challenge the status quo of spiritual spaces and conceptions asking viewers to reevaluate limitations and the liminal. Though each piece is unique, there are universal themes and the consistent use of elemental representation through each. In addition, many pieces are connected to my social justice work focused on Missing and Murdered Indigenous Women.