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APSAADU | Public Sculptures by STUDIO NICK ERVINCK | Chateau de Foix in Foix. Item composed of stone and synthetic
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APSAADU | Public Sculptures by STUDIO NICK ERVINCK | Chateau de Foix in Foix. Item composed of stone and synthetic
APSAADU | Public Sculptures by STUDIO NICK ERVINCK | Chateau de Foix in Foix. Item composed of stone and synthetic

Created and Sold by STUDIO NICK ERVINCK

STUDIO NICK ERVINCK

APSAADU - Public Sculptures

Featured In Chateau de Foix, Foix, France

$ On Inquiry

From the research on the Jupiter column, a series of small god statues came into being. As in LUIZADO, archaeological findings – such as helmets, armour, busts and columns – are a direct source of inspiration. The observer recognises some elements, but will discover new shapes as well. APSAADU hovers between the virtual and the real world. Designing this shape using a computer, the artist creates very complex forms which cannot be created by means of hand-drawn sketches. The design process of this work is very closely related to a new form of architecture which is commonly referred to as ‘blob architecture’. This kind of computer-aided designs resulting in organic, amoeba-shaped, bulging forms was firstly explored by an architect named Greg Lynn in 1995. This is a new movement whereby architects remove themselves from the previous linear and corner- like box structures and instead turn to rounded, bulging shapes as structural forms.

polyester
300 x 180 x 120 cm
118.1 x 70.9 x 47.2 inches

Item APSAADU
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STUDIO NICK ERVINCK
Meet the Creator
Wescover creator since 2020
Art - Science - Technology - Craftmanschip - Public art

Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media.
Studio Nick Ervinck applies tools and techniques from new media, in order to explore the aesthetic potential of sculpture, 3D prints installation, architecture and design. Through his divergent practice, a strong fascination with the construction of space is noticeable.
Not only does Nick Ervinck focus on the autonomous sculptural object, he also questions its spatial positioning and points to the phenomenological experience and embodiment of space. Ervinck's work in short oscillates between the static and the dynamic, prospecting new virtual or utopian territories.