"My mission is to bring mass and rotundity to the flat surface of the canvas."
I was born in the Amazonian city of Belém, Brazil, July 1970. From the year 2000 I live in Italy. • I paint, sculpt and draw since I was a child, figurative and then changing to abstract art. • I studied philosophy and industrial design, I am essentially a self-taught artist. • I work in my green sunny farm-studio in the heart of the amazing Sicilian countryside. • Fluent speak: English, Portuguese, Spanish and Italian. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ARTIST STATEMENT- I intimately think that building a visual subject is above all immediacy, I am a pretty rational and pragmatic person consequently I do not place through my art cultural contradictions or philosophical reflections, I’m into the pure visual zone of my work most of the time. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ In other words I’m just looking for a trice of emotion in the abstract beauty, something that I can read on the fly, and cry and laugh without having to identify myself entirely, that goes beyond me as a creative, or creator, a conceptual entity that can embrace and accumulate a lot of energy on my small painting surface. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ There’s a lot of science references and some sci fi allegories in my artworks rather than only abstract intuition or inspiration, I love the way these fields occasionally coincide in the same space, in a sort of cosmic cooperation. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ I’m just bringing my long time technical skills in over 30 years of experience manipulating materials to create my abstract masks, and I hope the universe will bring everything else, the real thing: the energy, the connection, the supreme intelligence. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ This Artist Statement will surely be changed or upgraded in the next future, as every little thing in this existence, every molecule and atom are in a constant move, so am I. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ THE PROCESS- I paint mainly on canvas, I prefer thick and raw types of cotton tissue. Sometimes I use heavy weight paper or wood board. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ I work on 3-5 pieces simultaneously, I don’t do sketches, I don’t consider anything prior, I just prepare the surfaces and the initial textures the day before. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ My work needs a hard physical effort and this is a constant pleasure, no chance for boredom or annoyance. Sometimes things won’t go smoothly, so I just let everything as they are and go for a walk and meditation, or perhaps leave and let everything for the other day. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ MATERIALS- Canvas, wood, paper, gesso, beeswax, fibers, acrylic colors, oil, UV resin, spray paint, pastels. Tools: Spatulas, brushes, brooms, heat gun, glue gun etc. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ AWARD AND GRANTS- • 3° Place IV SART Rondonya award, Brazil – 1997 • 1° Place “La Fenice” Palermo award, Italy – 2001 ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ COLLECTIONS- • Private collections in USA, Canada, United Kingdom, Japan, Germany, Italy and Switzerland. • Museum permanent exhibition: MUDAC “Museo D’Arte Contemporanea” Syracuse, Italy